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(with Luciana Tamas) "‘How can you photograph words?’: Expanding the Godot universe from adaptation to transmedia storytelling”. In: Jonathan Bignell, Pim Verhulst and Anna McMullan (Eds.) Beckett's afterlives: Adaptation, remediation, appropriation. Manchester: MUP, 2023. https://doi.org/10.7765/9781526153807.00020
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(with Jeanette R. Malkin and Sarah J. Ablett), Eds. Companion to British-Jewish Theatre since the 1950s. London: Bloomsbury Methuen Drama, 2021.
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(with Jeanette R. Malkin) “Invisible Otherness: British-Jewish Theatre since the 1950s.” in Eckart Voigts, Jeanette R. Malkin, Sarah J. Ablett, Companion to British-Jewish Theatre since the 1950s. London: Bloomsbury Methuen Drama, 2021. 1-27.
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(with Sarah Jane Ablett) “‘Affiliation and Belonging’: Contemporary British-Jewish” in Eckart Voigts, Jeanette. R. Malkin, Sarah J. Ablett, Companion to British-Jewish Theatre since the 1950s. London: Bloomsbury Methuen Drama, 2021. 141-153.
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“Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography”. Humanities. 2021; 10(2):80. 1-12 https://doi.org/10.3390/h10020080
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“’Too Much of a Modern?’ Pinter’s Jewishness”. In: Basil Chiasson, Catriona Fallow (Eds.) Harold Pinter: Stages, Networks, Collaborations. London: Bloomsbury Methuen, 2021. 71-87. DOI: 10.5040/9781350133662
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(with Jeanette R. Malkin) “Wrestling with Shylock. Contemporary British Jewish Theatre and Shakespeare’s The Merchant of Venice”. European Judaism 51.2 (2018): 175–185.
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"Samuel Beckett: Quad (1981)” in Bernhard Reitz, Ed. Das englische Drama und Theater von den Anfängen bis zur Postmoderne. Trier: WVT, 2016. 381-386.
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“’Zany’ Alternative Comedy: The Young Ones vs Margaret Thatcher” in Jürgen Kamm, Birgit Neumann, (eds.) British TV Comedy - Cultural Concepts, Contexts and Controversies. London: Palgrave Macmillan, 2015. 36-152.
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“’Dennis is a Liar’ - Mendacity in the Plays of Dennis Kelly” in Huber, Werner / Mettinger, Elke / Zettelmann, Eva (eds.). Dramatic Minds. Performance, Cognition, and the Representation of Interiority. Essays in Honour of Margarete Rubik. New York: Peter Lang, 2015. 261-272.
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“Irish Comedy? Dylan Moran, Germany, Beckett, and Black Books” in Sandra Mayer, Julia Novak, Margarete Rubik, Eds. Ireland in Drama, Film, and Popular Culture. Festschrift for Werner Huber. Trier: WVT, 2012. 109-118.
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"Richard Bean" in Aleks Sierz, Martin Middeke, Peter Paul Schnierer, Eds. Methuen Guide to Contemporary British Dramatists. London: Methuen, 2011. 1-21.
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"The Theatre of the Absurd: Samuel Beckett's Waiting for Godot and Harold Pinter's The Homecoming" in Ansgar Nünning, Birgit Neumann, Maren Baumbach, Eds. Handbuch A History of British Drama. Trier: WVT, 2011. 285-303.
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"'We are anathema' ― Sarah Kane's plays as postdramatic theatre versus the 'dreary and repugnant tale of sense'" in Graham Saunders, Laurens de Vos, Eds. Sarah Kane in Context, Manchester: Manchester UP, 2010. 195-208.
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"Postdramatic Theatre (Martin Crimp, Attempts on Her Life)" in Merle Tönnies, Ed. Handbuch englisches Drama der Gegenwart: Kategorien, Entwicklungen, Modellinterpretationen. Trier: WVT, 2010. 157-172.
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"Neil LaBute, the shape of things (2001)" in Herbert Grabes, Klaus Schwank, Eds. Das neuere amerikanische Drama. Autoren - Entwicklungen – Interpretationen. Trier: WVT, 2009. 255-268.
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"Shades of Negativity and Self-Reflexivity: The Reception of Beckett in German Literary Studies" in Mark Nixon and Matthew Feldman, Eds. The International Reception of Samuel Beckett. New York and London: Continuum, 2009. 97-107.
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"'Am I as much as … being seen.' Beckett-Inszenierungen" in Michael Giesing, Carola Veit, Gaby Hartel, Eds. Das Raubauge in der Stadt. Beckett liest Hamburg. Hamburg: Wallstein Verlag, 2007: 198-213.
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(with Mark Schreiber) "'Will the 'Wordy Body' Please Stand Up?': The Crises of Male Impersonation in Monological Drama" in Clare Wallace, Ed. Monologues. Theatre, Performance, Subjectivity. Prague: Litteraria Pragensia Books, 2006. 278-296.
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"Wendy Wasserstein, The Heidi Chronicles (1991)" in Susanne Peters, Klaus Stierstorfer, Laurenz Volkmann, Eds. Teaching Contemporary Literature and Culture II: Drama. Trier: WVT, 2006: 545-555.
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"Face Values – Beckett Inc., The Camera Plays and Cultural Liminality" in Steven Connor, Daniela Caselli, Laura Salisbury, Eds. Other Becketts. Tallahassee, Florida: Journal of Beckett Studies Books, 2002. 119-135.
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"Verweigerte Ortsbesichtigungen: Becketts Film und Eh Joe modern im Archiv" in Susanne Dürr, Almut Steinlein, Eds. Der Raum im Film / L'espace dans le film. Frankfurt/Main, New York etc.: Lang, 2002. 147-158.
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"Quad I and Teletubbies or: Aisthetic Panopticism versus Reading Beckett" in Angela Moorjani, Carola Veit, Eds. Samuel Beckett: Endlessness in the Year 2000. Beckett Aujourd'hui/Today 11. Amsterdam, New York: Rodopi, 2001. 210-218.
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"Sarah Kane – A Late Modernist? Intertextuality and Montage in the Broken Images of Crave (1998)" in Bernhard Reitz, Heiko Stahl, Eds. 'What Revels are in Hand?' Assessments of Contemporary Drama in English in Honour of Wolfgang Lippke. CDE Studies 8. Trier: WVT, 2001. 205-220.
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"Colored Museums – Cultural Segregation, Black American Drama, and the Topdogs/Underdogs of African-American History" in Sigrid Rieuwerts, Ed. History and Drama. Essays in Honour of Bernhard Reitz. Trier: WVT, 2006: 305-315.Ed. Dramatized Media / Mediated Drama. Contemporary Drama in English 7. Trier: WVT, 2000.
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"'Goodbye suspense goodbye?' – Postmodern TV Crime in The Singing Detective (1986) and Twin Peaks (1990-91)" in Raimund Borgmeier, Peter Wenzel, Eds. Spannung. Studien zur englischsprachigen Literatur. Trier: WVT, 2001. 132-148.
Also available from the e-journal cinetext: < http://cinetext.phl.univie.ac.at/magazine/voigts-virchow/suspense_potter_lynch.html>
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"Introduction: Post-Theatrical Drama / Post-Dramatic Theatre" in Eckart Voigts-Virchow, Ed. Dramatized Media / Mediated Drama. Contemporary Drama in English 7. Trier: WVT, 2000. 7-11.
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"'Cornucopia of Tinsel': Dennis Potter and the Culture of Advertising" in Vernon Gras, John R. Cook, Eds. The Passion of Dennis Potter. New York, London: St. Martin's Press, 2000. 73-87.
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"Anglian Antics – British Film Comedies of the Eighties and Nineties" in Journal for the Study of British Cultures 5.2 (1998): 129-142.
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"Exhausted Cameras – Beckett in the TV Zoo" in Jennifer M. Jeffers, Ed., Samuel Beckett: A Casebook. New York: Garland, 1998. 225-249.
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"Verbildert, verWAHRlost, verlacht - das Fernsehen im zeitgenössischen britischen Theater" in Julika Griem, Ed. Bildschirmfiktionen. Interferenzen zwischen Literatur und neuen Medien. ScriptOralia 106. Tübingen: Narr, 1997.
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Männerphantasien - Introspektion und gebrochene Wirklichkeitsillusion im Drama von Dennis Potter. Trier: WVT, 1995.
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"Pinter Still/Again Pinteresque?” – Opacity and Illumination in Moonlight (1993)" in Centres and Margins: Contemporary Drama in English 2 (1995): 119-137.
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"Learning by Suffering/Singing: Dennis Potter's The Singing Detective as a Musical Tragicomedy of Disease" in New Forms of Comedy: Contemporary Drama in English 1 (1994): 45-61.