Publications

(with Merle Tönnies), Eds. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre. CDE Studies 32. Berlin: DeGruyter, 2022. https://doi.org/10.1515/9783110758252

(with Shannon Wells-Lassagne), Eds. Filming the Past. Screening the Present: Neo-Victorian Adaptation. SALS 44. Trier: WVT, 2021.

(with Jeanette R. Malkin and Sarah J. Ablett), Eds. Companion to British-Jewish Theatre since the 1950s London: Bloomsbury Methuen Drama, 2021.

(with Tamas, Luciana) "‘How can you photograph words?’: Expanding the Godot universe from adaptation to transmedia storytelling”. In: Jonathan Bignell, Pim Verhulst and Anna McMullan (Eds.) Beckett's afterlives: Adaptation, remediation, appropriation. Manchester: MUP, 2023. https://doi.org/10.7765/9781526153807.00020

“Literary Events and Real Policies: The Transmedia Cases of Walter Besant’s All Sorts and Conditions of Men (1882) and George Chesney’s The Battle of Dorking (1871)“. In: Christina Meyer and Monika Pietrzak-Franger (Eds.) Transmedia Practices in the Long Nineteenth Century. London: Routledge, 2022. https://doi.org/10.4324/9781003222941

“Anger, anxiety and hope: The complicit realities and engaged/ing communities of contemporary British dys/utopian theatre”. In: Eckart Voigts, Merle Tönnies (Eds.) Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre. CDE Studies 32- Berlin: DeGruyter, 2022. 1-9.

(with Alderman, Naomi): "The Power". In: Arnold, H.L. (eds) Kindlers Literatur Lexikon (KLL). J. B. Metzler, Stuttgar, 2022. https://doi.org/10.1007/978-3-476-05728-0_23313-1

“Algorithms, Artificial Intelligence, and Posthuman Adaptation: Adapting as Cultural Technique.” Adaptation 13 (6 May 2020).

“Unreliable Neo-Victorian Narrators, ‘Unwomen,’ and Femmes Fatales: Nell Leyshon’s The Colour of Milk and Jane Harris’ Gillespie and I. In: Maier S., Ayres B. (eds) Neo-Victorian Madness. Palgrave Macmillan, 2020. 121-144.

“H.G. Wells, The Time Machine” in M. Pietrzak-Franger & M. Middeke (eds), Handbook of the English Novel, 1830-1900. Handbooks of English and American Studies: Text and Theory, vol. 9, Berlin: De Gruyter, 2020. 547-564.

“After the ending – closure in post-apocalyptic narratives as fictions of uncertainty”. In A. Parey and S. Wells-Lassagne (Eds.). Adapting Endings from Book to Screen. Last Pages, Last Shots. London and NY: Routledge, 2020. 152-169.