Via the conference program at the bottom of the website you can access recordings of some contributions
Hannes Bajohr (Universität Basel)
Varvara Guljajeva (Hong Kong University of Science and Technology (Guangzhou))
Lev Manovich (City University of New York)
Bianca Prietl (JKU Linz)
Jens Schröter (Universität Bonn)
As algorithmic data processing increasingly pervades everyday life, it is also making its way into the worlds of art, literature and music. In doing so, it shifts notions of creativity and evokes non-anthropocentric perspectives on artistic practice. Negotiating the aesthetic, cultural, and social implications of this development is an ongoing process to which this bilingual (German and English) and transdisciplinary final conference within the project From Avant-garde to Algorithm: Automated Creativity in Music and Literature aims to make its contribution.